Retweet: Somewhere inside you, your imagination is conjuring up visions more elaborate, more beautiful than anything you have ever seen in your life. It's up to you to learn to harvest these images and reproduce them as authentically as you can learn to do in a lifetime.
I'm almost done moving to LA. Once I get my chair and my desk, I will have run out of excuses not to focus on my art. So many good things happening, though, it is distracting. Randomly got to meet Anthony Jones. Dude is really chill and super smart. You really should go to his page now. Don't read the rest of this.
When trying to calculate the shift of a coloured surface under a different-coloured light, decrease the saturation of the colour you're putting down (the one in the different light) and make sure that the new colour stays in the correct relative hue. Eg. Red surface under a green light: decrease the saturation of the red, and shift the hue into something cooler. Play until looks right. Also, i believe the value of a red surface under green light will be darker than the one under white light. Correct me if I'm wrong.
So.. when you have an area of high saturation on your canvas, desaturating your brush stroke and shifting the hue slightly goes a long way to introducing new colours into the area. I need to do a tutorial about this. Right now these are just notes for myself from the future. There is a tut on form coming next weekend, though. Watch out.
You can either mix colours by trying to get as close to your desired colour as you can, or by using wildly outrageous saturated combinations of colours. Which one do you think yields in more happy accidents?
The easiest opportunity to introduce wild colours into your pictures is in hard edges and fresnel reflections.
It's harder to get grays to look correct together, because the more desaturated a colour is, the more precise you need to be with your RGB slider ratios to get the right hues.
Design isn't about the shapes as much as the relationships between them.
Painting environments isn't about which brushes you use, but how you choose to blend your shapes and how you make them interesting.
Close your eyes and try to visualize it if you can't get it right.
Make everything in your picture cool to look at, but make the focus more prominent.
Find interesting flows in the outline of your design.
If you aren't absolutely certain that your drawing kicks ass, you should make it better, because it likely won't impress anyone else.
Sometimes you have to let yourself do what you want. Satisfy your curiosity for things other than art before you end up watching ponies for two hours instead of reading about space travel.
These are from two weeks ago. Went to life drawing with f'ing Katie DeSousa! Was probably too self conscious so the drawings are meh. Go to her page now. Last chance.